Final Cut Pro X :: How To Strip Audio From ProRes Clips And Save Them Without Degrading Video
Sep 5, 2014
I need to strip the audio off of a few ProRes files with the end product being ProRes files; easy enough to do but don't want to degrade the quality of the original video (via any compression etc). If I just hit File/Share/Master File with the video-without-audio on the timeline, otherwise untouched, will it create an original-quality ProRes file essentially the original video without the audio?
Talking about wild audio tracks not directly related to video clips.
I find I want to attach a particular audio clip to a different video clip (given that without tracks it has to be attached to SOMETHING). Is there a way to move an audio clips affiliation to an alternate video clip? Especially without having to drag it out of place to do so?
Which leads to another question: is there any way to freeze an audio clip in place?
Info: MacBook Pro (15-inch Glossy), Mac OS X (10.6.8)
I'm working on a large edit with footage imported into FCPX from a SonyXDcam. Three clips have audio that is out of sync. The others are all fine. What happened to those three and how do I fix it?
I can import only selected portions of video clips from my iPhone5. At present I have to import the full length of the video clip into the event and in so doing, I am unable to 'weed' out unrequired segments. Is editing the video clip in the iPhone itself the only option one has or is there any other way of doing it during the import process itself?
Info: iMac, OS X Mavericks (10.9), garage band, FCPX:10.0.9 version
Recently my event clips and timeline clips have turned grey and no video imagery shows unless I pass the cursor over the individual clip. I was close to finishing this project and it plays in the viewer but making adjustments etc seems impossible. FCP is updated and I have restart the computer several times. I have used FCP for 3 years and have never had this problem.
Info: Final Cut Pro X, OS X Mountain Lion (10.8.5)
I have been editing compound clips and when I get half way through i notice early clips in the timeline are missing. So if there is clips ABCD in a connected clip, it will be now AC and the other clips are now gone. I've pressed undo until i saw when they were deleted and it seems when i'm selecting clips later in the timeline it selects earlier clips and deletes them with the clips i want to delete. This is causing a major headache as it seems to be random, I can't replicate it on demand, but it happens eventually in ever compound clip I create. I haven't noticed it while editing a project.
Can I import clips to FCP X at 180 degrees rather than flipping the clips individually once they are imported? I have about 300 clips all recorded upside down and i am looking for an easy solution.
I transcode M2TS files into PRORES (HQ) using PAVTUBE. Final cut X takes a long time rendering them. Also in playback, the audio appears for a second and disappears to reappearing another second, for the entire clip. Is it normal ? Is there a better way to import m2ts files ?
I don't do much with tape anymore but a client has provided me with some HDV tape that i want to edit as ProRes in Premiere Pro.
I don't have a third party capture card so therefore in Premiere Pro I am limited to capturing only as HDV from tape.
I'm thinking of capturing as ProRes in FCP 7 (which I had done for ages before switching to Premiere in the wake of FCP X) and then importing the subsequent ProRes files into Premiere from the capture folder.
Just updated to 10.1.3 from 10.1.2 and video files import without audio into library. Audio shows and plays in media import window. Everything from before update is fine.
I did a shoot with audio on a green screen stage. I have some video clips of my actors shot on a RED Scarlett in 4K 29.97.I have audio clips recorded on a Zoom H4 with a boom mic at 16 bit 44.1 khz.
I take the 2 clips in FCP X and I create a synchronized clip. The video clip doesn't have an audio channel so I have to manually sync using the slate. I have the correct audio clip and the correct video clip, but the audio clip is longer than the video clip. It's just running a tad slower than the video clip. I tried creating a project in 44.1khz instead of 48khz and FCP X didn't treat it any differently.
The audio and video are out of sync after importing to FCP 10.1 from my mini DV tape source. The audio and video are in sync coming out of the tape deck but they are out of sync by over a second in FCP. How to correct this?
There are over 60 people in my family's facebook group and each person has contributed stories, pics, videos, audio files, etc. Is there a way to save all of this data to one place? And how would I go about it?
When I sync one audio file with one video file the video file is always placed in the primary storyline and the audio file is always placed under it. And the new syncronised clip is named afte the video file.
when I sync multiple audio files to one video file. It seems to be random what file endsup in the primary storyline of the new compound clip, most of the time is seems to be one of the audio files. This is troublesom as the syncing acuracy is then limited to the frame as the smallest incrament of adgustment. Also, it menas I have to manualy change the names of my now syncronised clips as the names are not consistant making sorting dificult. (This all results in a lot of time spent fixing this behavoir and realy dampens the advantages of the sync feature.)
the video should not be the primary track in a new syncrosnised compound clip and I can't find any link between my behavoir and the resulting choise of which tile is the primary sortyline track.
In FCP 7 you could right click and choose 'Close Gap' or something very similar. What's the short cut for closing the gap between two clips, rather than manually dragging each one?
Info: Final Cut Pro X, OS X Mountain Lion (10.8.2)
Is there any way to synchronize clips from the timeline? I understand that there is a way to synchronize from the Project Library but it makes more sense for me to sync from the timeline. If there just isn't a way to sync from timeline, is there a way to put all the clips from the timeline into the Project Library so I can do it there?
I have been using pluralize but wanted to see if I can skip all those extra steps of exporting and importing.I also wanted to see how effective the sync feature is in FCPX 10.1.2
Some clips became unlinked. I go to link them ... and am stopped dead by the NEW Library Icon (with all it's internal folders no longer seemingly accessible). I know the file is in there - if I do a search in Finder for the missing media, it takes me right to where it is.
When I do a relink, stopped dead in my tracks by the new format. How do I access the folders hidden in the new Project Library to relink my clips with their original media?
Info: MacBook Pro (15-inch Glossy), Mac OS X (10.6.8)
I was editing in FCPX and all of a sudden a few clips in my timeline went black. What I mean by that is when I played them back, they were completely black. It was like the footage had gone missing. You name it, I tried all of the obvious things to do from here on in; I replaced and re-timed the footage with a fresh I/O grab from the clips panel. I tried reimporting the clip. I tried re-linking to the source file. I tried re-creating optimised media. Nothing worked. The only thing that worked was transcoding the footage in a different problem with a different filename and then reimporting and then replacing that with the black clip.
Is there an easy way to simple delete all filters from a selection of clips?
If I select multiple clips and then delete the filter, it only deletes it from the one single clip where the playhead is, the others are untouched.
If I make a cog standard clip, and then copy those attributes and paste it to the other clips as suggested it doesn't 'reset' those it merely dumps more filters on top or leaves the current ones untouched?
Do I really have to go in and select and delete one single filter off every single clip? There's a bunch of about 65 still frames I need to do this from and I can't bear the though of that.
Info: iMac (27-inch, Late 2012), OS X Mountain Lion (10.8.2)
How to view two clips at the same time with 50 % transparent each (end of one clip and the starting of the next clip in time line) so that one overlapping the other, both can be seen. This is to merge two clips, so that I can stop at the correct frame of the first clip and start at the appropriate frame of the next clip.
I'm not entirely sure which might be the correct forum for this question, not sure if i have the right spot but,..here goes..If someone can't be of help, please direct me to the correct forum.
I do a lot of media conversion from various formats using QT, VLC Player, Video Converter for Mac, Cleaner, Mpeg Streamclip, Sorenson Squeeze, Visual Hub, etc
Quite often i still run into (PC created) .avi clips that simply WILL NOT export/convert with SOUND, they will only PLAY with sound on the VLC Player but cannot seem to be converted into any kind of format WITH sound. I'm assuming this is some kind of codec issue but since i only know the clip as an .avi (and some AVI's convert fine including Divx and Xvid, others don't) and have no known way of analyzing the clip i don't know how to convert it.
3 days ago I opened FCE to work on some video, and every single captured clip in any project I open simply appears as a gray screen with no audio or image. All clip info like names, in/out markers, etc is still there. I have not had any problems in the past couple years with the program, and have not made any changes to it or my computer recently.
I have a multicam clip and when I open it in the Angle Editor, I can't move any of the clips. They just snap back to where they were. For whatever reason, FCP X really fudged up the "auto" syncing of these clips and I have to move them around and sync manually.
What's the secret? I can press , and . to nudge left and right but grabbing them and dragging them down the timeline isn't working.
