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Final Cut Pro :: Stabilizing Options - Motion4 Vs Steady Vs Boris Vs L&L?


With the stipulation that NO stabilizing software is a substitute for properly shot footage... Am about to test out demos for some of the major players in this field, which appear to be: Magic Bullet Steady from Red Giant / Boris Optical Stabilization / Lock & Load X from CoreMelt and of course Motion4, which I've already played with a little bit. (Am deliberately not including FCP's built-in SmoothCam option because of some built-in limitations, partly discussed in this related thread: [URL]

But would be interested to hear from anyone in this forum who's tried out one or more of the above, and has any insights as to their relative strengths and weaknesses (especially as regards speed, ease of use, versatility, and of course, ultimate image quality).

Information:
Mac Pro, 8-core 2.8GHz; 10 GB; GeForce 8800
Mac OS X (10.6.2)
Mac user since 1990 (starting on a sleek SE/30)


View 4 Replies (Posted: Mar 8, 2010)

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-- for a non-linear documentary project such as this.
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I'll hold off listing all the annoying inconsistencies and frustrating limitations I've been finding vis-a-vis Log & Transfer columns vs. Browser columns; info that transfers vs. info that doesn't; data fields which can be edited vs. those which can't; etc. For now -- before I commit to trying to make this all work through an endless series of ugly workarounds -- can anyone suggest a way (an article, a template, an example in a blog) which might at least enable SOME of the metadata / keywordesque-based sort & search flexibility, and organizational ease-of-use, which Final Cut 7 (I'll leave off the "Pro" part for now) appears to so desperately need?

Information:
Mac Pro, 8-core 2.8GHz; 10 GB; GeForce 8800
Mac OS X (10.6.2)
Mac user since 1990 (starting on a sleek SE/30)

Posted: Dec 4, 2009

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